[After Allen &
Unwin, under pressure from Tolkien to make up their minds, had reluctantly
declined to publish The Lord of the Rings together with The Silmarillion,
Tolkien was confident that Milton Waldman of Collins would shortly issue both
books under his firm's imprint. In the spring of 1950, Waldman told Tolkien
that he hoped to begin typesetting the following autumn. But there were delays,
largely caused by Waldman's frequent absences in
Also the Orcs (goblins) and other monsters bred by the First Enemy are not wholly destroyed. And there is Sauron. In the Silmarillion and Tales of the First Age Sauron was a being of Valinor perverted to the service of the Enemy and becoming his chief captain and servant. He repents in fear when the First Enemy is utterly defeated, but in the end does not do as was commanded, return to the judgement of the gods. He lingers in Middle-earth. Very slowly, beginning with fair motives: the reorganising and rehabilitation of the ruin of Middle- earth, ‘neglected by the gods’, he becomes a reincarnation of Evil, and a thing lusting for Complete Power- and so consumed ever more fiercely with hate (especially of gods and Elves). All through the twilight of the Second Age the Shadow is growing in the East of Middle-earth, spreading its sway more and more over Men - who multiply as the Elves begin to fade. The three main themes are thus The Delaying Elves that lingered in Middle-earth; Sauron’s growth to a new Dark Lord, master and god of Men; and Numenor-Atlantis. They are dealt with annalistically, and in two Tales or Accounts, The Rings of Power and the Downfall of Numenor. Both are the essential background to The Hobbit and its sequel.
In the first we see a sort of second fall or at least ‘error’ of the Elves. There was nothing wrong essentially in their lingering against counsel, still sadly with the mortal lands of their old heroic deeds. But they wanted to have their cake without eating it. They wanted the peace and bliss and perfect memory of ‘The West’, and yet to remain on the ordinary earth where their prestige as the highest people, above wild Elves, dwarves, and Men, was greater than at the bottom of the hierarchy of Valinor. They thus became obsessed with ‘fading’, the mode in which the changes of time (the law of the world under the sun) was perceived by them. They became sad, and their art (shall we say) antiquarian, and their efforts all really a kind of embalming - even though they also retained the old motive of their kind, the adornment of earth, and the healing of its hurts- We hear of a lingering kingdom, in the extreme North-west more or less in what was left in the old lands of The Silmarillion, under Gilgalad; and of other settlements, such as Imladris (Rivendell) near Elrond; and a great one at Eregion at the Western feet of the Misty Mountains, adjacent to the Mines of Moria, the major realm of the Dwarves in the Second Age. There arose a friendship between the usually hostile folk (of Elves and Dwarves) for the first and only time, and smithcraft reached its highest development. But many of the Elves listened to Sauron. He was still fair in that early time, and his motives and those of the Elves seemed to go partly together: the healing of the desolate lands. Sauron found their weak point in suggesting that, helping one another, they could make Western Middle-earth as beautiful as Valinor. It was really a veiled attack on the gods, an incitement to try and make a separate independent paradise. Gilgalad repulsed all such overtures, as also did Elrond. But at Eregion great work began - and the Elves came their nearest to failing to ‘magic’ and machinery. With the aid of Sauron’s lore they made Rings of Power (‘power’ is an ominous and sinister word in all these tales, except as applied to the gods).
The chief power (of all the rings alike) was the prevention or slowing of decay (i.e. ‘change’ viewed as a regrettable thing), the preservation of what is desired or loved, or its semblance - this is more or less an Elvish motive. But also they enhanced the natural powers of a possessor - thus approaching ‘magic’, a motive easily corruptible into evil, a lust for domination. And finally they had other powers, more directly derived from Sauron (‘the Necromancer’: so he is called as he casts a fleeting shadow and presage on the pages of The Hobbit): such as rendering invisible the material body, and making things of the invisible world visible.
The Elves of Eregion made Three supremely beautiful and powerful rings, almost solely of their own imagination, and directed to the preservation of beauty: they did not confer invisibility. But secretly in the subterranean Fire, in his own Black Land, Sauron made One Ring, the Ruling Ring that contained the powers of all the others, and controlled them, so that its wearer could see the thoughts of all those that used the lesser rings, could govern all that they did, and in the end could utterly enslave them. He reckoned, however, without the wisdom and subtle perceptions of the Elves. The moment he assumed the One, they were aware of it, and of his secret purpose, and were afraid. They hid the Three Rings, so that not even Sauron ever discovered where they were and they remained unsullied. The others they tried to destroy.
In the resulting war between Sauron and the Elves Middle-earth, especially in the west, was further ruined. Eregion was captured and destroyed, and Sauron seized many Rings of Power. These he gave, for ultimate corruption and enslavement, to those who would accept n (out of ambition or greed). Hence the ‘ancient rhyme’ that appears he leit-motif of The Lord of the Rings,
Three Rings for the Elven-Kings under the sky,
Seven for the Dwarf-lords in their halls of stone,
Nine for Mortal Men doomed to die,
One for the Dark Lord on his dark throne
thus almost supreme in Middle-earth. The Elves held out in secret places (not
yet revealed). The last Elf-Kingdom of Gilgalad maintained precariously on the
extreme west-shores, where are the havens of the Ships. Elrond the Half-elven,
son of Eirendil, maintains a kind of enchanted
sanctuary at Imladris (in English Rivendel) on the extreme eastern margin of
the western lands.[*] But
Sauron dominates all the multiplying hordes of Men that have had no contact
with the Elves and so indirectly with the true and unfallen Valar and gods. He
rules growing empire from the great dark
But to achieve this he had been obliged to let a great part of his own inherent power (a frequent and very significant motive in myth and fairy-story) pass into the One Ring. While he wore it, his power on earth was actually enhanced. But even if he did not wear it, that power existed and was in ‘rapport’ with himself: he was not ‘diminished’. Unless some other seized it and became possessed of it. If that happened, the new possessor could (if sufficiently strong and heroic by nature) challenge Sauron, become master of all that he had learned or done since the making of the One Ring, and so overthrow him and usurp his place. This was the essential weakness he had introduced into his situation in his effort (largely unsuccessful) to enslave the Elves, and in his desire to establish a control over the minds and wills of his servants. There was another weakness: if the One Ring was actually unmade, annihilated, then its power would be dissolved, Sauron’s own being would be diminished to vanishing point, and he would be reduced to a shadow, a mere memory of malicious will. But that he never contemplated nor feared. The Ring was unbreakable by any smithcraft less than his own. It was indissoluble in any fire, save the undying subterranean fire where it was made - and that was unapproachable, in Mordor. Also so great was the Ring's power of lust, that anyone who used it became mastered by it; it was beyond the strength of any will (even his own) to injure it, cast it away, or neglect it. So he thought. It was in any case on his finger.
[*] Elrond symbolises throughout the ancient wisdom, and his House represents Lore - the preservation in reverent memory of all tradition concerning the good, wise, and beautiful. It is not a scene of action but of reflection. "Thus it is a place visited on the way to all deeds, or 'adventures'. It may prove to be on the direct road (as in The Hobbit); but it my be necessary to go from there in a totally unexpected course. So necessarily in The Lord of the Rings, having escaped to Elrond from the imminent pursuit of present evil, the hero departs in a wholly new direction: to go and face it at its source,